• ojaskara | belonging as practice

  • Pessoa sentada junto a uma fogueira em uma caverna rústica, com utensílios e roupas ao redor.

    ojaskara | belonging as practice

  • Grupo de pessoas segurando um mapa aéreo em uma rua ao ar livre, observando juntos.

    ojaskara | belonging as practice

  • Grupo de pessoas aguardando na pontilhada de uma ponte de pedra sobre um rio, ao lado de uma área com árvores e vegetação, em uma cidade com prédios ao fundo.

    ojaskara | belonging as practice

  • Praça movimentada com feirantes, vendedores em tendas, pessoas caminhando e comprando, além de lojas ao fundo e arquitetura marroquina.

    ojaskara | belonging as practice

  • Pessoa praticando yoga ou meditação em meio a um bosque de bambus.

    ojaskara | belonging as practice

Belonging is a practice.
In territories, in institutions, in ourselves.

Ilustração de uma pena preta e o texto 'ojaskara' em destaque na parte superior esquerda.

ojaskara brings together field, body and archive — developing situated practices of belonging at different scales.

Three axes interweave:

  • Field

    Territory & Intervention
    Situated practices in cities, institutions, and social contexts.

  • Archive

    Archive & Memory
    Organisation, activation, and critical interpretation of collections and narratives.

  • Body

    Vedic Knowledge
    Jyotish, Yoga, and Ayurveda as practices of orientation and temporality.

With institutions and territories

Cultural projects, diagnostics, archives, cartographies, evaluations

With people

Jyotish readings for moments of transition and reorganisation of meaning

Fernanda Curi

I am an architect, museologist, and researcher — and for over thirty years I have been working with the same question: what makes people, institutions, and territories feel at home in the world?

That question took me from architecture to museology, from the archive to the field, from São Paulo to Amsterdam, Madrid, Paris, and Porto. It also led me to the Vedas — to Jyotish, Yoga, and Ayurveda — not as a parallel path, but as another way of reading the same thing: cycles, patterns, belonging. A practice of more than a decade, with formal training in all three traditions.

I hold a PhD in Architecture and Urbanism from the University of São Paulo and an MA in Museology from the Reinwardt Academy, in Amsterdam. I have developed research and projects in cultural institutions, universities, and European programmes — including the Fundação Bienal de São Paulo and European research projects, among them the Horizon 2020 programme (University of Coimbra).

Ojaskara is where all of this converges — not as a tidy synthesis, but as a practice in progress.

One essay per month accompanies this journey.

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Ilustração de uma pena preta.